Penland Part 2

My one week course covered a great deal in a short period of time. It was exhilarating and exhausting at the same time as I felt that I always wanted to be working, both because I had paid a tidy sum to be there and because I couldn't  wait to try out what I was learning. One of the really cool things that Brian demonstrated for us was how he made what he calls, "butter houses" by throwing a cylinder on the wheel and altering it by flattening, cutting and shaping the sides.





We also learned how to use a shur form tool (which I had never heard of before) to shape and thin a clay body. We learned a nifty way to work with slabs, how to finish a cut piece with a coiled rope of clay, how to make and attach handles with out having to pull them (yeah!!), how to use white slip over a red clay body to draw or paint on it to add interest, make spouts for pitchers, construct complex multifunctional pieces and decorate with terra sigilata.






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Our studio assistants were a couple of crazy talented guys named Brooks Oliver and Don Reynolds whom Brian kept referring to as Brooks & Dunn, which became the running joke. These guys are both very accomplished artists who were always willing to help, were full of knowledge and just lots of fun to be with. If you want to get into the heads of two very interesting people, read Don's biography and Brooks's artist statement. 


Brooks Oliver




Don Reynolds

For my next installment: the people I met including artists and their studios around Penland



Karen O'Lone-HahnComment